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Tuesday, April 14, 2009

Saroja




Banner:     Amma Creations
Cast:S.P.B. Charan, Siva, Kajal Agarwal, Premji Gangai Amaran, Vaibhav, Vega, Prakash Raj, Jayaram
Direction:   Venkat PrabhuMusic:Yuvan Shankar Raja
Website:http://www.sarojathemovie.com

Saroja Review :

Fun, frolic and mayhem were in abundance in Venkat Prabhu's first directorial venture 'Chennai 600028'. With his second film 'Saroja' the director dutifully follows the same pattern despite having the backdrop of a thriller featuring a kidnap, gun totting desperados and characters with malicious intent. 

Even with a no-way-out situation that four friends get themselves into, and with the events unfolding in a real time sequential order, there is still scope for laughs. Premji Amaran's good-for-nothing attitude in the film amalgamated with silly remarks, 'Mirchi' Siva's ever so casual comic remarks, the intense demeanor of Sampath as a bad guy, Prakash Raj as the doting father of a kidnapped daughter, Vega as the kidnapped girl Saroja and Jayaram as the Assistant Commissioner of Police impress in their respective roles. One of the movie's strengths is that all these characters are introduced quickly in such a way that audiences easily understand the roles played by them except when the twists in the film happen. 

Major strengths for 'Saroja' are in the form of some breathtaking and spectacular background score from Yuvan Shankar Raja (probably one of his bests so far), slick editing from Praveen K. L and Srikanth N. B (they have a long way to go) and excellent cinematography by Sakthi Saravanan. 

Four friends with diverse natures but similar interests decide to travel to Hyderabad from Chennai to watch a cricket match. A huge tanker lorry heads towards South India from the North and a vicious gang has kidnapped a rich girl and holds her for ransom. All these events are narrated sequentially with the backdrop of the Chaos Theory. 

The tanker lorry capsizes creating a complete traffic jam that has the makings of an all night stand-still. Our protagonists stuck in traffic decide to get to Hyderabad through a short cut and eventually get lost. They end up in the den of the vicious gang who hold the daughter of the millionaire captive. 

The capsizing of the tanker lorry and the vibrant adventurous nature of the young protagonists make all these three events that should have been isolated amalgamate with each other. The butterfly effect is at work here. 

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